Category Archives: Columns

Where the Boom Bands Are: Maps & Atlases

It’s a very special thing when an opening act is actually able to cut through the mindless chatter and eager anticipation at a club and unexpectedly connect with an audience, but Shiraz Dada (bass), Dave Davison (guitar/vocals), Erin Elders (guitar), and Chris Hainey (drums) won over more than a few new fans that evening. I spent some time with the band after the show, put their You and Me and the Mountain EP into heavy rotation on my turntable, and eagerly awaited their Barsuk Records-released debut LP, Perch Patchwork. Continue reading

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Declarations of Independence: Beware Fashionable Women

One of the greatest things about getting to work on TRACER is the part I am able to play in getting exposure for truly talented, hardworking independent artists. I’ve been trying to figure out the best way to feature Pittsburgh’s Beware Fashionable Women for months. Barak Shpiez, the band’s creator and central songsmith, sent me their self-titled album over a year ago. As sometimes happens when you get fifty+ press releases per day, the album and my initial correspondence with Shpiez got lost in the shuffle, but every so often he sent me an email to see if I had any coverage plans for his band. Rather than feel annoyed by his persistence, I became really impressed by it (and began to feel like a huge jerk). He was clearly handling his own publicity, and as I soon found out, his own recording and distributing as well. I decided I needed to stop being a slacker and get an interview with this guy pronto so that I and everyone else could learn what he has to say. Continue reading

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Where the Boom Bands Are: Blake Mills

But this post isn’t about Dawes. No, this post is about Blake Mills, former member of the pre-Dawes outfit Simon Dawes. Blake’s been busy enough in recent years that he should’ve popped up on my radar before now: stints supporting Band of Horses, Jenny Lewis, Julian Casablancas, and Cass McCombs have honed the dude’s song-writing sensibilities to something damn near perfection. Continue reading

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Declarations of Independence: Defining Indie in 2009

There’s a riddle wrapped in a mystery wrapped in an enigma that I’ve been trying to decode lately. Here it is: What the hell does “indie” even mean? Let’s find out, shall we? Continue reading

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Revelations in Sound: The Year of Neko Case

Lyrical profundity? Outstanding vocal performance? Solid, creative musical composition? Welcome to Revelations in Sound. Continue reading

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Declarations of Independence: Touring the Independent Way

Insight into touring the independent way. “This is going to get really gritty…” Continue reading

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Where the Boom Bands Are: Vampire Weekend

While Vampire Weekend’s debut has given music critics across the country reason to dust off their Graceland references, their sound is anything but derivative. Playing to a sold-out crowd in Cincinnati in mid-February, the band ably demonstrated that their live chops definitely do justice to their polished debut album. While some of the album’s more lush arrangements, particularly those featuring cello, violin, and viola, have been distilled into keyboard riffs for their live performances, Vampire Weekend remains a vibrant, percussive force. Continue reading

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