Mylynda’s Top Ten of 2010

Upon reading the myriad of “Top Albums” lists going up all over the place the last couple of weeks, I realized I didn’t really listen to much new stuff this year. That seems wrong, doesn’t it? I edit two music blogs, and contribute to a third, and my fiancee and I are music-obsessed vinyl collectors. It’s the truth, though. Just moments ago I finished up reading Pitchfork’s albums of the year, and thought to myself “oh my god, I am so far off of their radar.” I felt kind of bad for a few moments…then I picked myself up, told myself it’s ok if Kanye wasn’t my top artist of the year, and marched on with my life…because here’s the thing: music is subjective. There’s  no getting around that. It doesn’t really matter what Pitchfork says was the best, or what Paste says was the best, or what any of my ‘zines say was the best…”best” is really a relative term when it comes to music. I am going to go on to post, if you would like to read them, a few of what my favorite albums were this year. However, I mostly just wanted to say  – thanks for reading what we have to say, because in all honesty…it doesn’t really matter what we think. However, we immensely appreciate you taking a look anyway, and we really enjoy sharing what we do love about music with all of you. Happy New Year!

#10 Jenny and Johnny – I’m Having Fun Now

#9 Tim Kasher – Game of Monogamy

#8 Hot Chip – One Life Stand

#7 Cadillac Sky – Letter in the Deep

#6 The New Pornographers – Together

#5 Broken Bells – Broken Bells

#4 She & Him – Volume Two

#3 Micah Schnabel – When The Stage Lights Go Dim

#2 Trampled By Turtles – Palomino

#1 Mumford & Sons – Sigh No More

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Top Ten of 2010: Jeff Hassay’s Favorites, Honorables, and Previews

1. Elton John & Leon Russell - The Union

Invoking the Civil War, Jimmie Rodgers and Melville (as well as an ethereal guest vocal by Neil Young), The Union is heavy on gravitas especially on the profound death march “There’s No Tomorrow.” It also has fun moments and there is pleasure to be had in hearing skilled craftsmen show off.
2. Kath Bloom – Thin Thin Line

Kath’s music always sounds a little distant, like the microphone is far away and she is singing in some other decade. Thin Thin Line could just as easily have come out in 1973. It’s like a dream. “Is This Called Living” is melodic, has great, meandering backing vocals and Kath soars into falsetto like she means every sharpened note of it.
3. Bruce Springsteen - The Promise

Probably the best release of the year and in the top 5 for Bruce overall. Culled from his strongest, hungriest and most ambitious period (the late 1970s) these 21 songs plow through the landscape like a juggernaut at the magic hour.
4. Broken Social Scene -  Forgiveness Rock Record

Spewing hooks, impenetrable lyrics and a fog of production this album is hard to get sick of and perfect if you find yourself in a fevered state wanting to tap your feet. It’s good to see a buzz band do things on their own terms and make something vividly interesting (as opposed to Spoon, The National and Arcade Fire whose albums didn’t suck, they just provided exactly what was expected of them).
5. Jonathan Richman - Oh Moon, Queen Of Night On Earth


Muted, dissonant and heavy on minor chords. This is the album that Nietzsche would have made if he was around, into 50s music and the Velevet Underground and if the syphilis hadn’t swiss-cheesed his brain. Minor Richman but still leagues beyond what most people are doing (sorry Neil Young). “I Was the One She Came For” is a glorious standout.
6. Jonsi – Go

 

Following the evolution of Sigur Ros Go comes across like some new kind of math. Swirling nonsensical loveliness never sounded so good and un-psychedelic. Makes me want to doodle on my notebook and develop a crush on someone who smells good.

7. Belle and Sebastian – Write About Love

 Solid, literary and playful, B&S are securing their place in the respectable world of new classic rock. Its has its retched lulls (who invited Norah Jones? Seriously, who invited her?) but “I Didn’t See It Coming” makes up for it in spades. Not since Kenny Loggins’ “Danny’s Song” has someone written such a catchy song about not having money.
8. Wings-  Band On The Run (Reissue)


It feels a little like cheating to put this on the list but come on musicians, a 37 year old albums’ re-release is better than most digital crap being secreted by the anuses of the uninspired. The title track and “Let Me Roll It” are on par with any Beatles record.
9. Black Keys – Brothers


The whole album flows together in an easy and groovy way. I like it when you can hear distinct influences filtered through a band’s sound and Black Keys are great at doing just that. I would have preferred some variation to the formula or at least a slightly different vocal sound but its effortlessness and ease are what make it a great driving record.
10. Grinderman – Grinderman

Unhinged stray notes, degradation and lust. You can feel the grease in Cave’s hair slither its way over the album. Makes me want to grow a moustache, get a jaguar and careen in to the nearest tree. There is nothing gentle about what Cave is doing in the good night. Plus, for like 2 minutes he even managed to make the new Harry Potter movie interesting.
 
Honorable mention:  Bob Dylan’s new bootleg series, OMD - History of Modern,  Cockfighter - Universal Field Theory Blues,  MGMT - Congratulations,  Wolf Parade - Expo ’86 and the New Pornographers’ Together.
 
Upcoming releases to be excited about: The new Paul Simon album (I really like his new Christmas song which is actually quite subversive), The Strokes new album (Julien’s solo album is under appreciated) , Benji Hughes (his “Country Love” song was easily one of the best things released this year; look it up), RTX  Rad Times, R. Kelly’s new addition to the Trapped in the Closet series and most emphatically: Destroyer Kaputt, which I have heard and it has managed to sear its way into my brain like salt on a snail—I still feel bubbly and wowed after the 99th listen.

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Bright Eyes To Release New Album in 2011

Bright Eyes – that’s right, Bright Eyes and not the Mystic Valley Band or a solo Conor Oberst! - are currently preparing for the release of their 7th (or 10th, depending on what you count) release for indie powerhouse Saddle Creek Records. The album The People’s Key will see shelves (and my own excited face) on Oberst’s 31st birthday, Feb. 15, 2011. Core Bright Eyes contributors Mike Mogis and Nate Walcott are said to have joined the band once again for this release, and as usual other Saddle Creek family members are also along for the ride.

Spinner released the tracklisting for The People’s Key, listed below:

1. ‘Firewall’
2. ‘Shell Games’
3. ‘Jejune Stars’
4. ‘Approximate Sunlight’
5. ‘Haile Selassie’
6. ‘A Machine Spiritual (In the People’s Key)’
7. ‘Triple Spiral’
8. ‘Beginner’s Mind’
9. ‘Ladder Song’
10. ‘One for You, One for Me’

I do not want to be a hater, but as I drop the needle on Feb. 15th my fingers will be crossed in hopes of a little more to love on the new album than on 2007′s Cassadaga. Though the places Oberst and company took their music on Cassadaga were admittedly logical, they were at times hard to embrace. Oberst has always been the cleverly self-important self-deprecator with the off-key warble and the fevered guitar, but Cassadaga‘s expanded lyrical content, awkward honky-tonk, unapologetically ambitious arrangements and uncomfortably slick production felt more disheartening than grand. Maybe I will always compare my new acquisitions to my first loves, but I wouldn’t mind a Fevers and Mirrors or Lifted… part two one bit.

-Mylynda Nellermoe

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Sounds Abound: Kurt Vile – “In My Time”

Last month, Philadelphia-based singer-songwriter Kurt Vile released his latest and, I would argue, strongest single: “In My TIme.” Give the song a listen and, if you feel the need, pick the 7″ up via Matador Records today.

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Album Review: The Heartlanders – On The Roam

With a couple of move-ins with a banjo, a slide guitar and a few dozen dreams, it’s clear: On the Roam is an appropriate title for The Heartlanders’ new album.

The Heartlanders are a Cincinnati band transformed from the Austin, TX band The Story Of, but they seem to have left the Texas twang behind them for the folksy pluck that comes from being so close to the Kentucky border.

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Sounds Abound: The Decemberists – “Down By The Water”

The season rubs me wrong. The summer swells anon. So knock me down, tear me up.

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Sounds Abound: Daniel Martin Moore – “Dark Road”

Tomorrow the sun may be shining, although it is cloudy today.

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Album Review: Belle & Sebastian Write About Love

Belle and Sebastian Write About Love begins with a long fade-in into a hazy trance meets disco “I Didn’t See It Coming.” It sounds like Nick Drake joined Wings and wrote a song for their introverted niece’s prom. Then again that’s always how Belle and Sebastian sound, but in this song the singer pleads “make me dance/ I want to surrender” over and over like he really wants to dance and the hooks are smoothed and rarefied by the hand of a craftsman.

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Album Review: Cockfighter – Universal Field Theory Blues

Cockfighter is a somewhat elusive new Californian “buzz” band whose overall sound is difficult to pin down. Universal Field Theory Blues, their first album, rings out of the aether like an urgent message. About what and to whom I’m not sure, but it sounds sure of itself and keeps the listener guessing; weaving through its mazes for that hidden cheese lurking somewhere in the pop explosions, distorted haze, acoustic-to-dance-to-head-fuck-meltdown and airy spaces that fill the album.

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Live Review: Dayton, Ohio’s Own Guided By Voices Reunion Show at The Wiltern in L.A., 10/4/10

Guided By Voices

A rowdy crowd, an exalted entrance and a wall-of-sound take on “A Salty Salute” began Guided By Voices reunion show in Los Angeles. At the song’s end, the repeated line “the club is open” became a celebratory chant with the audience screaming in ecstatic fervor. It was a good opening.

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